Cerdanyola Art Museum. Can Domènech

The Cerdanyola Art Museum. Can Domènech, nestled in the heart of Cerdanyola del Vallès, Spain, is a captivating destination for art enthusiasts and history buffs alike. Known locally as Museo de Arte de Cerdanyola, this museum is more than just a repository of art; it is a testament to the rich cultural and historical tapestry of the region. Opened on September 10, 2009, the museum has quickly become a key player in the Local Museums Network of the Barcelona Provincial Council and the European Route of Modernism.

The Architectural Marvel of Can Domènech

The building housing the Cerdanyola Art Museum, affectionately known as Can Domènech, is a masterpiece of modernist architecture. Originally constructed in 1894 by architects Gaietà Buïgas and Eduard Maria Balcells, the structure stands as one of the most prominent examples of local modernism. The building's design features a ground floor and an upper story, complemented by single-story annexes. Its steeply pitched roof and sober lines are enriched by the inclusion of the stunning triptych known as Les Dames de Cerdanyola, a series of modernist stained glass windows that adorn the main and east facades. These windows, depicting elegant female figures, are the crowning glory of the building's decorative elements.

Can Domènech's history is as fascinating as its architecture. Initially known as Casa or Torre Evarist López, the building was constructed to serve as a cultural hub, housing a theatre-casino primarily for summer visitors. It soon became a social and recreational center for the local community. Between 1905 and 1912, the building was sold to Evarist López, a businessman who had made his fortune in the Philippines. López commissioned architect Eduard Maria Balcells to renovate the building, adding the iconic modernist stained glass windows. Over the years, the building has served various purposes, including a summer residence and a pharmaceutical laboratory, before becoming municipal property in the 1990s.

The Permanent Collection

The Cerdanyola Art Museum's permanent collection is a treasure trove of modernist art, reflecting the artistic and cultural vibrancy of Cerdanyola del Vallès from 1880 to 1930. During this period, the town was a popular summer retreat for the Catalan bourgeoisie, particularly from Barcelona. This influx of affluent visitors turned Cerdanyola into a cultural hotspot, attracting artists such as Enric Granados, Pau Casals, Ismael Smith, Josep de Togores, and Carles Buïgas.

The museum's collection is divided into five main sections:

The Balcells-Buïgas Family

This section focuses on the works of Gaietà Buïgas, Eduard Maria Balcells, and Carles Buïgas, highlighting their contributions to modernist architecture and design.

Ismael Smith Marí

Known for his unique and often provocative style, Ismael Smith Marí's works are characterized by their sarcasm and ambiguity, offering a fascinating glimpse into his unconventional artistic vision.

Modernism

Housed in the former dining room, this section showcases the original pair of stained glass windows from Balcells' renovation, including the renowned Triptych of the Ladies of Cerdanyola, declared a Cultural Asset of National Interest. Other notable artists featured in this section include Josep Llimona, Lambert Escaler, Marian Burgués, Lluís Bru, and Joan Vilatobà.

Josep de Togores

This local artist's works span various styles, including modernism, noucentisme, surrealism, and post-war Catalan painting, offering a comprehensive overview of his artistic evolution.

The Noucentista Colony

This section features works by artists such as Josep Viladomat, Manuel Humbert, Marian Espinal, Joan Commeleran, Alberto and Óscar Lena, Valentí Castanys, Josep Coll, Joan Vila Puig, and Francesc Juventeny, providing a rich tapestry of the noucentista movement.

In addition to these sections, the museum's upper floor houses the Blues Room, an exhibition dedicated to the posters of the annual Cerdanyola International Blues Festival, celebrating the town's vibrant musical heritage.

Highlighted Works

Among the museum's most notable pieces are Femme avec raisin (1927) by Josep de Togores, Cap de Tití (1927) by Manolo Hugué, Sant Jordi (1928) by Josep Llimona, Virtut by Josep Llimona, Retrat de Manuel de Togores (1918) by Josep de Togores, the Triptych of the Ladies of Cerdanyola, and Nu del blau by Josep Viladomat i Massanas. The museum also features a multisensory module called La Mirada Tàctil, designed to provide a tactile interpretation of the exhibits, making the museum accessible to visitors with visual impairments or reduced mobility.

In conclusion, the Cerdanyola Art Museum. Can Domènech is more than just a museum; it is a cultural landmark that encapsulates the artistic and historical essence of Cerdanyola del Vallès. Whether you are an art lover, a history enthusiast, or simply a curious traveler, a visit to this museum promises a rich and rewarding experience.