Stadtkirche (Delmenhorst)

Stadtkirche, officially known as Stadtkirche Zur Heiligen Dreifaltigkeit, stands as a beacon of historical and architectural splendor in Delmenhorst, Lower Saxony, Germany. This Evangelical Lutheran church, built in 1789, is not only a place of worship but also a cherished monument that tells the tale of centuries past. The church's compelling history and unique elements make it a must-visit for anyone exploring Delmenhorst.

The History of Stadtkirche

The origins of Stadtkirche trace back to a time long before its current structure was erected. The first church in Delmenhorst, which once stood at the present-day marketplace, was destroyed in 1538. In its place, a timber-framed church was built on the current church square. The foundation for the new church was laid by Count Anton II of Oldenburg and Delmenhorst in 1614, and the construction was completed in 1619. This early church was adorned with works by the North German artist Ludwig Münstermann, including the altar, pulpit, and the so-called Count's Chair, and featured a crypt intended as a burial place for the count's family.

In 1789, a new church building was constructed, the outer walls of which still stand today. The church underwent significant expansion in 1908, when the altar area was added, and the tower was raised to a height of 54 meters. During this renovation, the main entrance was moved from the south side of the tower to the west side. The interior of the church has seen further redesigns, notably in 1967 and 2020, ensuring that it remains a vibrant and functional space for worship and community activities.

Architectural Features

As you approach the church, the tower's impressive height and the copper-clad spire immediately catch your eye. Above the glass door entrance, a painted inscription by Hermann Oetken reads, Lob, Preis und Ehr' sei allezeit der Heiligen Dreifaltigkeit, which translates to Praise, honor, and glory be to the Holy Trinity at all times, reflecting the church's dedication.

Inside the church, one of the most notable features is the Epitaph, a small stone sculpture on the south wall depicting the risen Christ. This piece, believed to have originated from the former Delmenhorst Castle, dates back to between 1570 and 1600. It serves as a memorial for Arend von Elverfeld, the first administrative and judicial officer of Delmenhorst, and bears a Latin inscription from the Book of Job.

The Trinitarian Bronze Sculpture

Another striking feature within the church is the Trinitarian Bronze Sculpture, a tall freestanding column created by artist Karl-Henning Seemann in 1967. This sculpture represents the Christian doctrine of the Trinity through three distinct levels. The lower level depicts creation with Adam and Eve, the middle level shows the suffering Jesus looking out over the congregation, and the upper level symbolizes the Holy Spirit's work in the church, featuring figures like Stephen, the first deacon, and the apostles John and Paul.

The Altar and Windows

Behind the altar, a glass artwork by Wilhelmshaven artist Hartmut Wiesner, installed during the 2020 renovation, depicts a cross that casts illuminated cross shapes onto the wall behind it when lit. The chancel area also boasts colorful windows installed in 1988, designed by Wilhelm Buschulte. These windows, crafted from mouth-blown, opalescent, and opaque antique glass, depict the events of Pentecost and add a vibrant warmth to the church's interior.

The Count's Crypt

Beneath the altar area lies the Count's Crypt, the final resting place of the last members of the Oldenburg-Delmenhorst noble family. The crypt contains the coffins of Count Anton II, his wife Countess Sibylla Elisabeth, and their children, Count Christian IX and Countess Sibylla Maria. The coffins are adorned with family crests and numerous biblical inscriptions, reflecting the deep Christian faith that permeated the lives of the noble family.

Liturgical Objects and Artwork

The church's interior is further enriched by various liturgical objects and artworks. Two old brass chandeliers, known as Flemish crowns, hang in the altar area, with a third in the tower. These chandeliers, donated by Delmenhorst families, date back to the 17th and 18th centuries. The church also houses a collection of communion vessels donated by past pastors, as well as a range of modern liturgical furnishings, including a sandstone altar, a baptismal font, bronze candlesticks, and a simple standing cross on the altar, all added during the 1967 renovation.

On the walls of the nave, visitors can admire four paintings, including two by Fritz Stuckenberg. These early works from 1908 once adorned the altar until 1946 and were returned to the church in 1997. One of Stuckenberg's paintings depicts Christ walking on water, while the other portrays the Madonna and Child, harking back to the first church in Delmenhorst, which was dedicated to the Virgin Mary.

The Bells and Organs

The church's tower houses a trio of bells, tuned to the notes C, E-flat, and G-flat. These bells, donated by the Delmenhorst industrial community after World War I, were cast by the Bochumer Verein für Bergbau und Gussstahlfabrikation and consecrated in 1924. The bells bear inscriptions that reflect hope, patience, and prayer.

The church's main organ, built by Alfred Führer in 1957 and renovated in 1987, features 2,178 pipes across 32 registers, played from three manuals and a pedal. A portable chest organ with three registers, crafted in 1992 by Berend Veger and Winold van der Putten, is used for choir rehearsals, performances, and chamber music. Stadtkirche serves as a hub for church music, offering a variety of musical events throughout the year.

In conclusion, Stadtkirche is more than just a place of worship; it is a living testament to Delmenhorst's rich history and cultural heritage. Its architectural beauty, historical significance, and vibrant community life make it an essential stop for anyone visiting this charming German town. Whether you are drawn by its history, its art, or its spiritual significance, Stadtkirche promises a memorable and enriching experience.