In the heart of Granollers, Spain, nestled on Carrer del Rec, stands a striking example of modernist architecture with a touch of noucentisme flair: Can Jonch. This unique building, also known as Casa Adela Roca, is a testament to the architectural creativity of the early 20th century and offers a fascinating glimpse into the cultural heritage of the region.
Designed by the renowned architect Eduard Maria Balcells i Buïgas around 1913, Can Jonch embodies the essence of modernist architecture with subtle noucentisme influences. The building is an isolated single-family residence, part of the garden city category, which was a popular architectural approach during the expansion of urban areas. Some also attribute the design to Manuel Raspall, who may have been involved but unable to sign the work due to his role as a municipal architect.
The structure is composed of two main sections. The first, a rectangular base, features a ground floor, a first floor, and an attic. Its roof, adorned with traditional Arab tiles, is crowned by a unique double wavy cornice supported by brackets at the corners. A prominent feature is the lookout tower that rises above the roof, capped with intricate ironwork, offering a panoramic view of the surroundings.
The facades of Can Jonch are symmetrical and flat, with the Rec street-facing facade showcasing a beautifully crafted iron balcony railing. This railing, with its noucentisme-inspired designs, adds to the building's charm and elegance. The surrounding wall is made of common masonry, topped with vibrant green and yellow glazed ceramic pieces, while the gate pillars boast exposed brickwork with elaborate glazed ceramic detailing.
Can Jonch's history is as captivating as its architecture. Originally owned by Adela Roca, the widow of Furnó, the house was bequeathed to Antoni Jonch, whom she had adopted after her husband's passing. In 2000, eight years after Jonch's death, the Jonch Sampere family generously donated the building to the Granollers City Council.
The house was transformed into a cultural center for peace in 2008, coinciding with the 70th anniversary of the Granollers bombing during the Spanish Civil War. This transformation was part of a broader municipal action plan, and the building now serves as a hub for cooperation entities, exhibition spaces, and educational facilities focused on peace, cooperation, and human rights.
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Visitors to Can Jonch can immerse themselves in a rich tapestry of history and culture. The building's restoration, led by architect Anna Rovira i Vergés, incorporated environmentally conscious elements, such as the reuse of the house's well for irrigation and heating purposes. This commitment to sustainability is a modern addition to the building's historical narrative.
The garden of Can Jonch is home to a sapling from the famous Gernika oak, symbolizing peace and resilience. This living monument serves as a poignant reminder of the building's mission as a center for peace and cooperation.
Can Jonch is more than just an architectural gem; it is a vibrant cultural center that plays a vital role in the community. It hosts a variety of exhibitions and events that promote dialogue and understanding among diverse groups. The center also provides resources and information on peace and human rights, making it a beacon of learning and cooperation.
The building's strategic location, connecting the urban core with the Northern Railway, underscores its historical significance as part of Granollers' urban expansion. Visitors can easily explore the surrounding area, which is rich with cultural and historical landmarks.
Can Jonch stands as a testament to the enduring legacy of modernist architecture and the power of cultural heritage to foster community and dialogue. With its intricate design and rich history, it offers an engaging experience for visitors interested in architecture, history, and cultural exchange. Whether you're a history enthusiast, an architecture aficionado, or a curious traveler, Can Jonch is a must-visit destination that promises to inspire and educate all who pass through its doors.
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