Friedenskirche zu Radebeul

In the heart of the charming town of Radebeul in Saxony, Germany, lies the Friedenskirche zu Radebeul, a beacon of historical significance and architectural splendor. This evangelical Lutheran church, formerly known as the Church of Kötzschenbroda, stands proudly on the village green of Altkötzschenbroda in Radebeul-West, offering visitors a journey through centuries of history, culture, and faith.

The History of Friedenskirche zu Radebeul

The Friedenskirche is the oldest church in the Lößnitz region, with its origins tracing back to 1273 during the establishment of the Archdeaconry of Nisan. The church’s history is a tapestry of destruction and rebirth, reflecting the tumultuous events that shaped the region. One of its earliest known vicars in the 14th century was Heinrich Buling, a member of the Dresden councilor family Buling. After the original church was destroyed by the Hussites in 1429, a new late Gothic building was constructed between 1477 and 1510, financed partly by an indulgence letter from 1475.

The church played a pivotal role during the Reformation, with Veit Hammer becoming the first evangelical pastor in 1539. The church and the village suffered extensive damage during the Thirty Years' War, but the resilience of the community saw it rebuilt in the Renaissance style by master builder Ezechiel Eckhardt, with significant support from Elector Johann Georg I. The current pulpit was installed in 1642, and an organ by Tobias Weller followed in 1651.

One of the most significant historical events associated with the Friedenskirche is the signing of the Armistice of Kötzschenbroda on August 27, 1645, in the parsonage. This armistice between the Saxon Elector Johann Georg I and the Swedish General Lennart Torstensson marked the end of the Thirty Years' War for Saxony. This momentous event is commemorated in the church’s name, which was changed to Friedenskirche (Peace Church) in 1935.

Exploring Friedenskirche zu Radebeul

Visitors to the Friedenskirche are greeted by its striking neo-Gothic architecture, a result of the partial reconstruction by Karl Weißbach in 1884/1885. The renovation included the expansion of the nave and the addition of a distinctive neo-Gothic spire atop the tower, replacing the previous baroque dome. The lower part of the tower, dating back to 1477, remains a testament to the church’s medieval origins.

As you step inside, the church's interior reveals a blend of historical and artistic elements. The nave is adorned with a flat wooden ceiling featuring broad fields with infill boards, while the side aisles house two rows of wooden galleries. The chancel boasts pointed arch windows with intricate tracery, buttresses with chamfered covers, a ribbed vault, and a broad pointed triumphal arch leading to the nave.

The Art and Artifacts

The Friedenskirche is home to several notable artifacts, including the pulpit from 1642 by Andreas Schirmer and the colorful glass windows in the chancel, designed by Christian Rietschel and installed during the 1961/1962 renovation. The entrance features the tombstone of Augustin Prescher, the pastor who played a key role in the 1645 armistice.

Another highlight is the church's organ, originally built by the Dresden court organ builder Jehmlich in 1885. This instrument, which underwent several modifications and restorations, now features 46 registers and a free pipe prospect. The organ's romantic sound profile was emphasized during the 1999/2000 restoration.

The Bells and the Tower

The church's tower, accessible to visitors, offers a panoramic view of Radebeul-West and the Elbe River. The current bell ensemble, cast in 2004 by the Bachert bell foundry in Karlsruhe, replaced the 1949 cast iron bells. These bronze bells have the same tones and inscriptions as their predecessors, maintaining a connection to the church’s past.

The Churchyard and Its Monuments

The churchyard of the Friedenskirche is a place of reflection and remembrance, housing one of Radebeul’s most significant monuments – the sandstone sculpture Chronos and the Mourner or Chronos and the Lamenting Woman, believed to date from the 18th century. This restored artwork, along with the graves of notable figures like art historian Franz Richard Steche, adds to the historical ambiance of the site.

A Place of Cultural and Historical Significance

Today, the Friedenskirche zu Radebeul stands as a cultural monument, recognized for its historical and artistic value. It was described as an art monument as early as 1904 by Gurlitt in his foundational inventory. The church continues to play an active role in the community, hosting the biennial international Radebeul Courage Prize since 2004, and serving as a place of worship and cultural events.

In conclusion, the Friedenskirche zu Radebeul is not just a church; it is a symbol of resilience, faith, and peace. Its walls tell stories of wars and armistices, destruction and rebirth, making it a must-visit destination for anyone exploring the rich history and culture of Saxony. Whether you are a history enthusiast, an architecture aficionado, or simply a curious traveler, the Friedenskirche offers a profound and enriching experience.