Stadtkirche St. Antonius, an architectural gem nestled in the heart of Bitterfeld-Wolfen in Saxony-Anhalt, Germany, stands as a testament to the rich cultural and religious heritage of the region. This impressive neo-Gothic hall church, known locally as St. Antonius, is a must-visit for anyone interested in history, architecture, and the enduring spirit of community.
The story of Stadtkirche St. Antonius is one of resilience and transformation. The church that stands today was constructed between 1905 and 1910, replacing a late Gothic predecessor. The original church, also named St. Antonius, had served the community for centuries before it was deemed necessary to build a new, larger structure to accommodate the growing congregation. The design of the new church was conceived by Oskar Hoßfeld and brought to life by Friedrich Beisner and Hermann Gensel, who ensured that the late Gothic chapel of the old church was preserved and incorporated into the new building.
The church’s orientation towards the north and its construction with brick masonry over a porphyry base give it a distinctive and robust appearance. The south-facing side, which greets visitors arriving from the market square, is particularly striking. It features a grand stepped portal, slender lancet-shaped plaster niches, decorative tracery, and a stunning rose window. These elements combine to create a façade that is both welcoming and awe-inspiring.
As you step inside Stadtkirche St. Antonius, you are immediately enveloped in the serene beauty of its interior. The church is designed as a three-aisled hall with three bays, topped with ribbed vaults supported by octagonal pillars. The nave is flanked by galleries, known as horseshoe galleries, which add to the sense of space and grandeur.
The interior decoration of the church has undergone changes over the years. Originally, the walls were adorned with late Gothic-style paintings featuring intricate foliage designs and quadrature. However, these were replaced in the late 1950s with a simpler, more understated finish. Despite these changes, the church retains many of its original furnishings from 1910, offering visitors a glimpse into its historical past.
One of the most notable features of Stadtkirche St. Antonius is its collection of altars. The main altar, a late Gothic masterpiece from the 16th century, was meticulously restored between 1956 and 1960. The central shrine of the altar depicts the Madonna and Child flanked by St. Anthony and St. Maurice, while the wings feature St. Ursula and St. Catherine. The first transformation of the altar reveals four painted female saints against a landscape background: Mary Magdalene, Barbara, Dorothy, and Margaret. The workday side of the altar depicts the Annunciation, and the predella shows Anna Selbdritt (St. Anne with the Virgin Mary and the Christ Child), with additional painted figures of St. John the Baptist, a holy bishop, and St. Lawrence.
Another exquisite altar, also from the early 16th century, is housed in the so-called Old Chapel. This altar, restored in 1956, features the Madonna between St. Martin and St. Lawrence in the central shrine, with Mary Magdalene and a male figure, possibly St. Sebastian, on the wings. The workday side depicts St. Wolfgang and St. John the Evangelist, and the predella showcases Anna Selbdritt, with St. Jerome and another saint on the inner wings and scenes of Job and the Adoration of the Magi on the outer wings.
Among the many treasures of Stadtkirche St. Antonius is a crucifix from around 1480, known as the Perückencrucifix, which hangs in the staircase leading to the bell tower. Additionally, an epitaph for Andreas Mitternacht the Younger († 1597) and Andreas Mitternacht († 1600) can be found on the south wall of the east gallery. The church also boasts a Renaissance pulpit from the former church in Niemegk, adding to its rich tapestry of historical artifacts.
The original organ, built by Wilhelm Rühlmann, was replaced in 1968 by an instrument crafted by the Schuster company. This new organ, with 36 registers across three manuals and a pedal, was designed by Fritz Leweke and continues to fill the church with glorious music during services and concerts.
Stadtkirche St. Antonius is more than just a historical building; it is a living monument that continues to serve the spiritual and cultural needs of the Bitterfeld-Wolfen community. Whether you are drawn to its architectural beauty, its rich history, or its role as a place of worship and community gathering, a visit to Stadtkirche St. Antonius is sure to be a memorable and enriching experience.
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